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	<description>Blog of the European Festivals Association (EFA)</description>
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		<title>Video killed the radio star?*</title>
		<link>http://www.festivalbytes.eu/?p=248</link>
		<comments>http://www.festivalbytes.eu/?p=248#comments</comments>
		<pubDate>Tue, 08 May 2012 12:52:28 +0000</pubDate>
		<dc:creator>European Festivals Association</dc:creator>
				<category><![CDATA[Audience development]]></category>
		<category><![CDATA[Communicating Europe]]></category>
		<category><![CDATA[Communication tools]]></category>

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		<description><![CDATA[Arts festivals are ideal occasions to “activate” citizens’ awareness and participation and have a positive impact in terms of revitalisation of urban life. “Digital participation” can enable festivals to reach a far higher and broader proportion of the population. New &#8230; <a href="http://www.festivalbytes.eu/?p=248">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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		<title>How social are social networks? By Steve Austen</title>
		<link>http://www.festivalbytes.eu/?p=234</link>
		<comments>http://www.festivalbytes.eu/?p=234#comments</comments>
		<pubDate>Thu, 29 Mar 2012 15:05:07 +0000</pubDate>
		<dc:creator>European Festivals Association</dc:creator>
				<category><![CDATA[Communication tools]]></category>
		<category><![CDATA[Networking]]></category>

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		<description><![CDATA[How social are social networks, asks Steve Austen, and explores the change of networking behaviour since the rise of the internet and social networks. Steve Austen started his career as an art entrepreneur when he set up the Shaffy Theater &#8230; <a href="http://www.festivalbytes.eu/?p=234">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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		<title>To access or not to access</title>
		<link>http://www.festivalbytes.eu/?p=213</link>
		<comments>http://www.festivalbytes.eu/?p=213#comments</comments>
		<pubDate>Thu, 15 Mar 2012 10:09:36 +0000</pubDate>
		<dc:creator>Jelena Jankovic</dc:creator>
				<category><![CDATA[Audience development]]></category>
		<category><![CDATA[Communication tools]]></category>
		<category><![CDATA[Copy rights]]></category>

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		<description><![CDATA[How to provide access to classical (i. e. artistic) music is a very interesting question nowadays, in the “digital era”. There is a real competition between the concert going experience (as it is something that happens at a particular time &#8230; <a href="http://www.festivalbytes.eu/?p=213">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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		<title>The battle for online visibility</title>
		<link>http://www.festivalbytes.eu/?p=209</link>
		<comments>http://www.festivalbytes.eu/?p=209#comments</comments>
		<pubDate>Wed, 07 Mar 2012 10:33:50 +0000</pubDate>
		<dc:creator>Jelena Jankovic</dc:creator>
				<category><![CDATA[Audience development]]></category>
		<category><![CDATA[Communication tools]]></category>
		<category><![CDATA[Inter-festival period]]></category>

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		<description><![CDATA[The internet has become an extremely competitive environment. Creating a “virtual identity” is very important even for a festival that focuses on “live” artistic creation. The website of the Belgrade Music Festival (BEMUS) is characterised by the following keywords: interesting, &#8230; <a href="http://www.festivalbytes.eu/?p=209">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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		<title>In Transition? The role of the curator and the arts in a digital culture</title>
		<link>http://www.festivalbytes.eu/?p=204</link>
		<comments>http://www.festivalbytes.eu/?p=204#comments</comments>
		<pubDate>Wed, 22 Feb 2012 14:06:49 +0000</pubDate>
		<dc:creator>European Festivals Association</dc:creator>
				<category><![CDATA[Audience development]]></category>
		<category><![CDATA[Creation]]></category>

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		<description><![CDATA[As part of the IBBT-SMIT Lecture Series, on Wednesday 29 February 2012 in Brussels, research group Digital Arts and Cultures organises In Transition? The role of the curator and the arts in a digital culture. Invited speakers Beryl Graham, Frank &#8230; <a href="http://www.festivalbytes.eu/?p=204">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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		<title>Youth ‘n Classic – new talents creating a social buzz</title>
		<link>http://www.festivalbytes.eu/?p=192</link>
		<comments>http://www.festivalbytes.eu/?p=192#comments</comments>
		<pubDate>Fri, 03 Feb 2012 11:49:06 +0000</pubDate>
		<dc:creator>Sarie Van Lancker</dc:creator>
				<category><![CDATA[Audience development]]></category>
		<category><![CDATA[Communication tools]]></category>
		<category><![CDATA[Creation]]></category>

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		<description><![CDATA[With the Youth ‘n Classic competition, KlaraFestival and SonicAngel want to stimulate talented musicians between 16 and 26 years old inspired by classical music in their development and offer them a steppingstone to a successful career. The musicians could register &#8230; <a href="http://www.festivalbytes.eu/?p=192">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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		<title>Pelican-cat-cows</title>
		<link>http://www.festivalbytes.eu/?p=92</link>
		<comments>http://www.festivalbytes.eu/?p=92#comments</comments>
		<pubDate>Tue, 24 Jan 2012 13:38:48 +0000</pubDate>
		<dc:creator>Nikola Richter</dc:creator>
				<category><![CDATA[Audience development]]></category>
		<category><![CDATA[Communication tools]]></category>

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		<description><![CDATA[What a blog can do for a theatre festival and what it cannot do: four years of Theatertreffen-Blog (applications now open, see below) Do you know these children’s books where you match different heads of animals to different bodies and &#8230; <a href="http://www.festivalbytes.eu/?p=92">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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		<title>Pirouetting into Cyberspace</title>
		<link>http://www.festivalbytes.eu/?p=36</link>
		<comments>http://www.festivalbytes.eu/?p=36#comments</comments>
		<pubDate>Tue, 24 Jan 2012 11:00:10 +0000</pubDate>
		<dc:creator>Karen Jeynes</dc:creator>
				<category><![CDATA[Audience development]]></category>
		<category><![CDATA[Communication tools]]></category>
		<category><![CDATA[Creation]]></category>

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		<description><![CDATA[Years ago I was singing in a concert with the Welsh Male Voice Choir, who jokingly remarked that they wouldn’t be around much longer as their members kept dying off.  Those of us involved in the arts know the beauty &#8230; <a href="http://www.festivalbytes.eu/?p=36">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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		<title>Lessons learnt</title>
		<link>http://www.festivalbytes.eu/?p=32</link>
		<comments>http://www.festivalbytes.eu/?p=32#comments</comments>
		<pubDate>Tue, 24 Jan 2012 10:00:48 +0000</pubDate>
		<dc:creator>Kerstin Schilling</dc:creator>
				<category><![CDATA[Communication tools]]></category>

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		<description><![CDATA[Social Media are a normal part of the activities of cultural institutions today. Social Media take you in a very close dialog with your audience. The terms of Social Media aren&#8217;t new at all: you have to know and care &#8230; <a href="http://www.festivalbytes.eu/?p=32">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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		<title>Cultural organisations on the 2.0 bandwagon</title>
		<link>http://www.festivalbytes.eu/?p=8</link>
		<comments>http://www.festivalbytes.eu/?p=8#comments</comments>
		<pubDate>Tue, 24 Jan 2012 09:00:17 +0000</pubDate>
		<dc:creator>Kerstin Schilling</dc:creator>
				<category><![CDATA[Audience development]]></category>
		<category><![CDATA[Communicating Europe]]></category>
		<category><![CDATA[Communication tools]]></category>
		<category><![CDATA[Copy rights]]></category>
		<category><![CDATA[Creation]]></category>
		<category><![CDATA[Festival venue]]></category>
		<category><![CDATA[Fundraising & sponsoring]]></category>
		<category><![CDATA[Inter-festival period]]></category>
		<category><![CDATA[Selling live performances]]></category>

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		<description><![CDATA[When cultural institutions started to make their way in this ‘viral’ world two or three years ago, there still weren’t any proper names. We fell upon the so-called web 2.0 and despised traditional websites as web 1.0 while web 3.0 &#8230; <a href="http://www.festivalbytes.eu/?p=8">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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